Reasons for the aesthetic differences between Chinese and Western jewellery: The geographical environment is one of the basic reasons for this difference. As we all know, Western civilization has developed in the Aegean Sea, and the main development is in the Mediterranean region. Therefore, Western civilization can also be called maritime civilization. The warm climate of the Mediterranean is very suitable for navigation. Therefore, the liaison between countries is mainly achieved through sea transportation. Constantly going out to sea gradually formed the extroverted personality of the Westerners, open and active, full of freshness to the outside world, the performance of the jewelry is Zhang, and seeks strong results. In contrast, China’s geographical environment is much more closed. There is no large island adjacent to the mainland outside the coastline.
Therefore, there is almost no possibility of going to sea. The west is connected to Eurasia and is almost surrounded by the Tianshan Mountains and the Pamirs. The Qinghai-Tibet Plateau has been cut off. The only way out is the Silk Road, which also needs to cross the desert and the Great Gobi Desert. Therefore, in ancient times, when the traffic was underdeveloped, it was very difficult for the Chinese to go out. Coupled with China’s vast territory and abundant resources, there is no need to go out. This has formed the Chinese introverted national character, which is reflected in the jewelry is implicit and not exposed. History and politics are also one of the basic reasons for this difference. For historical reasons, if the whole of Weizhou is regarded as a group in which it is, then its entire history is the history of conquest and conquest, rule and rule among various nationalities of various countries. When a nation is strong and then dominates When it is in the status, its culture and the carrier that reflects this culture will change and even compulsively change; China is different from Europe, and the dynasties change vertically, and the changes in the soil are not big. Frequent changes in the history of Chinese jewelry are difficult. Found, the Chinese culture has been passed down from generation to generation, and it has never been interrupted. It is this continuity of history that determines that China’s jewelry styling cannot be changed suddenly. For political reasons, most of China’s history is in a unified state. The beginning of the Yellow Emperor era was to rule the world by one person. The idea of the unity of the unification was accompanied by China for two thousand years. This unity reappears in all aspects, but the most essential is the unity of ideas and culture and the unity of ideas. Another reason for the change of Chinese jewelry is that the Chinese people are awed by their ancestors. The system established by the predecessors cannot be easily changed. This is essentially different from the Westerners. In the Western concept, they always try to negate Predecessors, so he constantly seeks new ideas, seeks change, and seeks differences. He tries to overthrow the predecessors’ theory with newer things. This is clearly manifested in the development of modern Western science and technology; but the traditional Chinese concept is always Constantly affirming the predecessors and denying the descendants, no matter what they do, we must see if there are any precedents. Therefore, it is very difficult for Chinese jewellery to make some drastic changes. Therefore, it changes frequently like the West, from China. There is no way to accept the nationality. The nationality of the Chinese determines that the aesthetics of the Chinese are things that pursue eternal stability. Chinese jewelry generally does not pay attention to form. Its connotation is Chinese traditional Confucian culture. This inner culture makes Chinese jewellery have a strong and harmonious spirit, it is difficult to be alienated, and its aesthetic expression The style has a strong inner spirit, so it has a strong maintenance force. A big difference between the status quo of Chinese jewellery design and other advanced countries is that our understanding of jewellery design is limited to the design of the model Bvlgari Bracelet Replica. It is a limited change design of the existing products, resulting in a product that is not prosperous in the market. Make a fundamental change in the product, but lack understanding of formal design and conceptual design. Modern design is never seen as a technique plus painting, craft or art, as traditionally understood. The meaning of modern jewellery design is more extensive. It is a comprehensive and creative design activity with aesthetic aesthetics covering social aesthetic culture. In addition, from the appearance of human beings: Westerners are more three-dimensional than the external features of Chinese people. Westerners draw sketches and draw oil paintings, paying attention to volume, light and shadow, and are three-dimensional; Chinese people draw line drawing Cartier Bracelets Replica, draw Chinese painting, pay attention to spirit Connotation, pay attention to lines, is flat. In the jewellery, Westerners pay more attention to three-dimensional thinking. The products are more three-dimensional, and the structure is surprisingly successful. The concepts that Westerners think of are also different from ours. In the face of nature, there are completely different life comprehensions. In Greece, the ancient gods of the sun are Apollo, and the moon god is Diana. Every natural thing has a human appearance, thinking of nature. I think of the image of man. In the Bible, God pinched Adam with earth. The whole universe naturally exists for human beings. Although they also think that man is a part of nature, it is the most essential part of nature. Human beings can overcome nature and thus use Art to express human worship of nature; Pangu of Chinese mythology, lying down after the opening of the sky, one eye changes to the sun, the other becomes the moon, the river is his blood vessel, the mountain is his bone, the earth is his ups and downs Vitality, human beings turn into the vitality of mountains and rivers, Taoism sees everything from nature, human law, earth law, heaven and earth, Taoism, nature, nature is the highest vitality and creativity. After a hundred years of modern revolution, Chinese jewelry is also absorbing some things from the West, but it is meaningful to retain those spiritual parts of Chinese tradition. As designers, they should think about how to explore and use them. The idea of combining nature is applied to contemporary jewellery design.